The Dublin Community Blog

There are two great things about volunteering for the JDIFF. The first thing is that you are virtually in the middle of things. One the one hand you are not really “working” (as you are not paid) for the festival, and do not have the responsibilites of all the volunteer captains, box office people and production managers -so there’s plenty of things to see and do in between your shifts. For example to see how tiny Colin Farrell is in real life (and I did not even had to wear a tie to be at the opening gala) And on the other hand you are not a visitor and member of the audience, so you do represent the festival and are involved in the realisation of the festival, which mosty takes place in dirty basemenst or boring break rooms without much glamour. Brilliant.

The second thing for me is the discovery of new films. I’m not that much of a film buff myself, but I’m always surprised of the quality of movies shown at the festival. And even though I have my main picks, I always discover new movies when on shift or through recommendations from other volunteers. My first discovery this year is the opening film of the festival, Neil Jordan’s Ondine.

Not that I expected the opening movie to be a total blackout, but the last Neil Jordan movie I watched must have been Michael Collins – so I was a bit unsure about the whole mermaid/fairy tale-story of the movie. But even as the unromatic naysayer that I am I have to confess I loved the movie. It thoughtfully plays with the whole idea of a real-life fairy tale, without ever becoming fantastic or supernatural – and the great cast, above all the brilliant Alison Barry makes the film really enjoyable. Plus, a movie that was scored by Kjartan Sveinsson of Sigur Ros and that features songs by Lisa Hannigan can’t be bad, can it?

In my opinion, one of the most interesting events that is currently happening in Dublin city is this monthly themed night of music, spoken word and performance: The Brown Bread Mixtape. Happening upstairs at the Stag’s Head is an evening full of great entertainment, prose, poems, song, laughter, fun and the odd Swedish pop song. MC’s, chief organisators and jacks-of-all-trades Kalle and Enda present a hand-picked array of artists, and are spicing it up with their own performances in between.

Dublinblog sent some questions their way, and here’s what the two main men had to say:

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There is a fan page on Facebook called Secret Dublin. Secret Dublin aims to provide a forum for Dubliners to share their insights on places and talent in Dublin to discover “hidden gems”. The idea is romantic, but sadly a short peruse of the page shows few suggestions. With this in mind, I am going to share my little bit of Secret Dublin I happened to stumble across two months ago.

Weeks and weeks ago, my French friend, Maryline, told me of an evening called Milk & Cookie Stories.

“It is a group of people that come together to tell stories and have cookies,” she explained. She described the event as if it were common place.

“What has cookies got to do with stories?” I asked in puzzlement.

“I don’t know, replied my friend. “It’s just what they do.”

“How much is it?”

“It is free.”

I was suspicious. I gave the first two events a wide berth by politely declining an invite. Then came a funny phase of mine; I realised I needed to be more open to new things and new people. When Maryline reminded me yet another Milk & Cookie Stories evening approached, I agreed to attend. I remained sceptical, but reminded myself of the new things and new people I craved.

On a wet Tuesday evening Maryline and I made our way to the Dublin Exchange, Temple Bar. We arrived to be greeted by friendly faces, most of whom –  I guessed – were students. We were early. Rows of seats and large cushions on the floor remained vacant. Across the open plan room were tables bearing baskets of biscuits. We were offered tea and helped ourselves to the fare on offer.

When I asked one of the organisers about the evening, I was told that it was an open mic evening where attendants were invited to share a story. The story could be anything from a lament to a personal experience. An emphasis was placed on first timers. Anyone interested in spinning a yarn was invited to put their name on the list. They would be called up when their moment came.

My friend and I warmed ourselves next to a solitary radiator in a remote corner of the gallery. We watched as the number of attendants slowly and steadily increased. We were both taken aback by the friendly atmosphere. I was introduced to a considerable number of people. I noted how simple it was to strike up conversation with relative strangers. My thoughts were suddenly interrupted.

“We will be starting in around five minutes,” a girl named Sarah announced to the eighty or so people gathered. This prompted a hush to descend on the room.

The first story teller was called up. He received a supportive applause from the congregation. He told his story. Following another round of applause, the next story teller was called. The most memorable performances from the evening were a recital of Arabian Nights, an Hungarian folktale and a Celtic myth. The featured performer of the evening – whose name has unfortunately slipped my mind – told a personal story that was both moving and humorous.

I went again last Tuesday and had an equally enjoyable experience. The featured performer, Clare Murphy, told two Irish stories and a Nigerian tale. Her performance was uniquely engaging and animated. Clare drew loud laughs and planted ideas in our minds. I would gladly have listened to her for hours had I the chance. Clare embodies the skill and art of storytelling that Milk & Cookie Stories strives to promote.

Milk & Cookies Stories meets on the first/second Tuesday of every month at Dublin Exchange, Temple Bar. The atmosphere is friendly, the stories are entertaining and the cookies are tasty. The event is free, but the organisers do encourage attendants to make a small donation when the “cookie jar” is passed around.  Should you find yourself available from six o’clock Tuesday, 9^th February, you should come along.

What’s the worst that can happen? You enjoy a unique experience and open your mind to some new ideas? Come along, it’s a great evening.

If you share the same Ebenezer Scrooge-approach to Christmas that I have, I’ve got a little something for you. For us Christmas-dislikers, the Bewleys Cafe Theatre is doing something nice: they are running the Santaland Diaries.

It’s a classic story – one man suffers for our sins, and we are all saved. This year, that man is an elf. Based on David Sedaris’ own experience, THE SANTALAND DIARIES divulges the wickedly funny journey of Crumpet, a 33-year-old starving artist turned Macy’s Santaland elf. At first the job is simply humiliating, but as he contends with cranky parents, badly behaved children and colorful career elves, Crumpet becomes battle-weary and bitter.

As I’m reading Sedaris’ “Holidays on Ice” most festive seasons to not get in the right mood, I can thoroughly recommend this play. It is running until December 22nd, and bookings can be made via the website. In addition, admission will also get you a light lunch. But please note: as the theatre rightly states, this is a Christmas show for adults and contains lots of bad words. Lots!

Sending Letters to the Sea were already introduced in Brandon’s recent post; but I’d like to use the opportunity to feature the two ladies and four gentlemen in this month’s Discovered in Dublin. After a successfull release-show in St. Columba’s Church in Swords last week (were some of the material for the debut album were recorded), Dublinblog spoke to main main and initiator Mark Garry about future plans for the project and the reason to merge visual art and music in this band/collaboration.

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I have to confess that I completely nicked this off the good people over at culch.ie, but this is so incredibly good it has to be reposted. Visual artist Eoghan Kidney’s video for Underworld vs Mark Knight and D.Ramirez, played “on” Liberty Hall. Could someone please convince Dublin Tourism to make this the official video representing our city?

As Roseanne stated in her comment last week, the weekend definitively has not enough days. And I would even go so far as to say that this year the October has not enough days. After last weeks HWCH-Festival, and the 10th Darklight-Festival before it, tomorrow marks the beginning of another staple of the Dublin event calendar: this years Dublin Electronic Arts Festival.

DEAF returns with our most extensive programme to date, including films, gallery installations, workshops, live gigs and club events. We ask you to glance through the programme at the more than 150 events on offer, confident that you’ll find something in there for you

Again I am astonished by the broad palette of events: not purely electronica-based standards such as DJ-Sets and club performances (though there are aplenty), but also exhibitions, installations and screenings.

Dublinblog was able to talk to Festival Director Eamonn Doyle about the highs and lows in running such a festival. Having started in 2002 as a spinoff of Eamonn’s D1-label and meant to be a platform for Irish electronic acts, the festival has developed into a showcase of Irish and international artists, and is most definitively going beyond the limits of the word “electronic” in its title. Though lacking a big commercial sponsor, the line-up this year is one of the biggest and most diverse ever; and handing over certain parts of the planning and booking to local promoters has helped to increase the choices of shows and events.

Some of Emaonn’s favourite picks this year include:

- The opening night of the festival featuring the young Austrian artist Soap & Skin.
- David Rodigan at the Sugar Club, described by Eamonn as the “elderly, school teacher-type godfather of (UK) Reggae and Dancehall”.
- The only D1-feature at the festival, the Naphta album launch.
- “New Spaces for Music” – a series of live performances staged in unusual spaces around Dublin, including shops, empty offices, a van, an apartment and a train station.

By all means go and you’ll be able to find something extraordinary for yourself to see, and please support the artists and the festival itself.

My personal picks this year include California’s finest Isis; Relay, a sound project initiated and curated by John Lambert (aka Chequerboard); Goldie’s History of Metalheadz set and last but not least the Egyptian/Middle Eastern documentary short films at the Odessa Club.

Isis – Not In Rivers But In Drops from Kostas Tsikrikes on Vimeo.

Almost October, but still time to squeeze in the September-”issue” of Discovered in Dublin. And this time we are featuring a young lady whose hypnotic sounds are quite fitting for the upcoming autumn season – and who likes knitting. Abigail Smith is a singer/songwriter hailing from Dublin, has played the Electric Picnic in 2008 and has recently released her debut album  “Night Time Walking”. And she’s also the sister of Dublinblog’s very own Roseanne.

Without further ado, here’s what Abigail has to say:

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The free Mind the Gap Operetta will be running again next Friday night, as will a few other public art exhibitions in conjunction with Fringe Fest. And yes, there will also be plenty of buskers and stag do/hen party folks around next weekend. Can’t guarantee that we’ll see another group of Austin Powers look-a-likes running around (anybody else see Elvis suddenly appear in that video?), but in Temple Bar, you just never know.

Early September marks the beginning of the Dublin Fringe Festival for fans of all things “artsy.” Fringe Fest tackles artistic expression in both traditional forms (theatre, comedy, music, painting, etc.) and non-traditional (give aforementioned categories a creative twist and then add some improvisation and/or quirkiness of one sort or another.) The festival returns this Saturday and runs through Sunday, 20 Sept.

This year, Absolute vodka are sponsoring the festival and tomorrow evening is the launch of Absolut Original, from 6-8pm in the Smock Alley Theatre, Temple Bar. Sixteen Irish artists have been given the same brief that the legendary Andy Warhol was given in 1985: “Be inspired by the Absolut bottle.” The Absolut Original exhibition will be curated by The Small Print for the duration of the festival. After the festival, each piece will be submitted for inclusion into the international Absolut Art collection in Stockholm.

Here’s a video of one artist’s preparations for the exhibition (Irish street artist, Asbestos):