The Dublin Community Blog

I’m happy to post this guest article written by my friend, Melanie. Melanie has many years of experience in the arts and particularly in acting and she offers unique insight into the Dublin theatre scene.

Tom Creed, originally from Cork, has been living and working as a freelance theatre director in Dublin since 2006. Well known in the theatre community as a young and prodigious talent, his work is at once prolific and varied. Beginning his theatre work in Cork, he then trained with Rough Magic’s SEEDS programme, which seeks to identify and develop young theatrical talent. He got what he calls the ‘golden ticket’; he was made an Associate Director of the company, which allows him to work under their well established banner as well as pursuing some of his own work.

His latest departure is Una Santa Oscura, a theatrical staging of the music of Ian Wilson, inspired by the life of 12th century Christian visionary Hildegard of Bingen. Presented at the Project Arts Centre in Dublin’s Temple Bar, Tom is adamant that there’ll be no nuns on stage! Rather it’s an interpretation of a cloistered day interrupted by ecstatic visions, brought to life in a contemporary apartment setting and performed by a single musician, violinist Ioana Pectu-Colan. Although he wouldn’t call himself religious, Tom is intrigued by the collision of the sacred and profane and found himself fascinated by the life of this extraordinary proto-feminist, fundamentalist Christian nun who was famed in her own lifetime as a composer of hymns, expositor of theology and receiver of visions. Read the rest of this entry »

In my opinion, one of the most interesting events that is currently happening in Dublin city is this monthly themed night of music, spoken word and performance: The Brown Bread Mixtape. Happening upstairs at the Stag’s Head is an evening full of great entertainment, prose, poems, song, laughter, fun and the odd Swedish pop song. MC’s, chief organisators and jacks-of-all-trades Kalle and Enda present a hand-picked array of artists, and are spicing it up with their own performances in between.

Dublinblog sent some questions their way, and here’s what the two main men had to say:

Read the rest of this entry »

There is a fan page on Facebook called Secret Dublin. Secret Dublin aims to provide a forum for Dubliners to share their insights on places and talent in Dublin to discover “hidden gems”. The idea is romantic, but sadly a short peruse of the page shows few suggestions. With this in mind, I am going to share my little bit of Secret Dublin I happened to stumble across two months ago.

Weeks and weeks ago, my French friend, Maryline, told me of an evening called Milk & Cookie Stories.

“It is a group of people that come together to tell stories and have cookies,” she explained. She described the event as if it were common place.

“What has cookies got to do with stories?” I asked in puzzlement.

“I don’t know, replied my friend. “It’s just what they do.”

“How much is it?”

“It is free.”

I was suspicious. I gave the first two events a wide berth by politely declining an invite. Then came a funny phase of mine; I realised I needed to be more open to new things and new people. When Maryline reminded me yet another Milk & Cookie Stories evening approached, I agreed to attend. I remained sceptical, but reminded myself of the new things and new people I craved.

On a wet Tuesday evening Maryline and I made our way to the Dublin Exchange, Temple Bar. We arrived to be greeted by friendly faces, most of whom –  I guessed – were students. We were early. Rows of seats and large cushions on the floor remained vacant. Across the open plan room were tables bearing baskets of biscuits. We were offered tea and helped ourselves to the fare on offer.

When I asked one of the organisers about the evening, I was told that it was an open mic evening where attendants were invited to share a story. The story could be anything from a lament to a personal experience. An emphasis was placed on first timers. Anyone interested in spinning a yarn was invited to put their name on the list. They would be called up when their moment came.

My friend and I warmed ourselves next to a solitary radiator in a remote corner of the gallery. We watched as the number of attendants slowly and steadily increased. We were both taken aback by the friendly atmosphere. I was introduced to a considerable number of people. I noted how simple it was to strike up conversation with relative strangers. My thoughts were suddenly interrupted.

“We will be starting in around five minutes,” a girl named Sarah announced to the eighty or so people gathered. This prompted a hush to descend on the room.

The first story teller was called up. He received a supportive applause from the congregation. He told his story. Following another round of applause, the next story teller was called. The most memorable performances from the evening were a recital of Arabian Nights, an Hungarian folktale and a Celtic myth. The featured performer of the evening – whose name has unfortunately slipped my mind – told a personal story that was both moving and humorous.

I went again last Tuesday and had an equally enjoyable experience. The featured performer, Clare Murphy, told two Irish stories and a Nigerian tale. Her performance was uniquely engaging and animated. Clare drew loud laughs and planted ideas in our minds. I would gladly have listened to her for hours had I the chance. Clare embodies the skill and art of storytelling that Milk & Cookie Stories strives to promote.

Milk & Cookies Stories meets on the first/second Tuesday of every month at Dublin Exchange, Temple Bar. The atmosphere is friendly, the stories are entertaining and the cookies are tasty. The event is free, but the organisers do encourage attendants to make a small donation when the “cookie jar” is passed around.  Should you find yourself available from six o’clock Tuesday, 9^th February, you should come along.

What’s the worst that can happen? You enjoy a unique experience and open your mind to some new ideas? Come along, it’s a great evening.

Yes, it is that time of the year again. Like last year, I’m planning to entertain you with my adventures as a volunteer for the Jameson Dublin International Film Festival. The Festival officially opens on February 18th; so from then on you’ll get regular updates on what it’s like to rip of tickets, collect sticky rubbish from under cinema chairs and meeting the occasional celebrity, all while serving in one of the many venues of the festival. Plus also try to provide some insight on this rare occasion that World Cinema and Hollywood make a stopover in Dublin.

Whereas last year’s motto was “finding favourite films”, this year the festival seems even more diverse with spotlights on Korean, Russian and of course Irish cinema. And it is officially dedicated to one of it’s founders, Michael Dwyer, who passed away recently.

Among my personal picks this year are:

City of Live and Death - a Chinese movie about the so called “Rape of Nanking” in the Sino-Japanese war in 1937, directed by Lu Chuan. Warning: graphic images in the trailer!

Capitalism – a love story – Michael Moore’s inimitable look on capitalism and world economy.

Same Same but different – German director Detlev Buck tells the story of a German backpacker who falls in love with a Cambodian prostitute.

And last but by no means least: Valhalla Rising – Nicholas Winding Refn’s (Bronson) grimy Viking movie:

Please stay tuned for more movie madness on this channel errr blog.

Big thanks to Declan for letting us know about a gig happening in The Button Factory this Friday night to benefit relief efforts in Haiti. Attention Bebe and Mob Fandango headline the show and The Button Factory have offered their venue for free so that all proceeds can go to Partners in Health in their efforts to bring relief and humanitarian aid to the people of Haiti. CLICK HERE to see the Facebook event page. Tickets are €10 at the door.

Today marks the return of the annual German Film Festival, presented by the IFI in collaboration with the Goethe-Institut Irland and German Films Services + Marketing.

Continuing a trend that has been much commented on, modern German cinema seems fascinated with exploring the country’s troubled past. Kaspar Heidelbach’s Berlin ’36 tells the extraordinary true story of Gretel Bergmann, who was destined for an Olympic gold medal before she was forced out of the German team for being a Jew. Max Färberböck’s A Woman in Berlin is based on the diary of the only woman to write about the taboo topic of the rape of German women by Red Army soldiers at the end of World War II.

So, if you are up for better German cinema experience than…let’s say last year’s “Baader-Meinhof Komplex”, I strongly recommend to pay a visit to the IFI over the next 10 days. My personal pick is Oskar Roehler’s (Atomised) David Lynch/Baz Luhrmann-hommage “Lulu & Jimi”. Apologies for this German trailer, I could not find a sub-titled one – but I hope the images are sufficient .

This morning, as I was getting some work done, my attention was drawn to the MySpace page of a collaborative music project assembled by Mark Garry called Sending Letters to the Sea. As I let the music play in the background, I found it very relaxing and yet interesting enough that it actually began to distract me. It doesn’t seem to have any pretenses of being an ambitious hot new act in Dublin. Instead, one gets the sense that this is a collective of artists who merely wanted to get together to express their creativity, and in the process had a lot of fun and (maybe accidentally?) created something rather special. Be sure to have a listen for yourself and tell us what you think.

Letters to the Sea will be releasing their first album and performing on the 19th of this month at St. Columba’s Church in Swords, where much of the album was recorded. After having a listen to the tracks on their MySpace page, I have a feeling that there will be no better place to experience this music than inside the walls of an old stone church.

As Roseanne stated in her comment last week, the weekend definitively has not enough days. And I would even go so far as to say that this year the October has not enough days. After last weeks HWCH-Festival, and the 10th Darklight-Festival before it, tomorrow marks the beginning of another staple of the Dublin event calendar: this years Dublin Electronic Arts Festival.

DEAF returns with our most extensive programme to date, including films, gallery installations, workshops, live gigs and club events. We ask you to glance through the programme at the more than 150 events on offer, confident that you’ll find something in there for you

Again I am astonished by the broad palette of events: not purely electronica-based standards such as DJ-Sets and club performances (though there are aplenty), but also exhibitions, installations and screenings.

Dublinblog was able to talk to Festival Director Eamonn Doyle about the highs and lows in running such a festival. Having started in 2002 as a spinoff of Eamonn’s D1-label and meant to be a platform for Irish electronic acts, the festival has developed into a showcase of Irish and international artists, and is most definitively going beyond the limits of the word “electronic” in its title. Though lacking a big commercial sponsor, the line-up this year is one of the biggest and most diverse ever; and handing over certain parts of the planning and booking to local promoters has helped to increase the choices of shows and events.

Some of Emaonn’s favourite picks this year include:

- The opening night of the festival featuring the young Austrian artist Soap & Skin.
- David Rodigan at the Sugar Club, described by Eamonn as the “elderly, school teacher-type godfather of (UK) Reggae and Dancehall”.
- The only D1-feature at the festival, the Naphta album launch.
- “New Spaces for Music” – a series of live performances staged in unusual spaces around Dublin, including shops, empty offices, a van, an apartment and a train station.

By all means go and you’ll be able to find something extraordinary for yourself to see, and please support the artists and the festival itself.

My personal picks this year include California’s finest Isis; Relay, a sound project initiated and curated by John Lambert (aka Chequerboard); Goldie’s History of Metalheadz set and last but not least the Egyptian/Middle Eastern documentary short films at the Odessa Club.

Isis – Not In Rivers But In Drops from Kostas Tsikrikes on Vimeo.

The Norsemen are upon us again! As last year, the Dublin Viking Festival is taking place next weekend.

The Dublin Viking Festival takes place on Dublin’s Wood Quay and Temple Bar from Friday the 16th October until Sunday 18th October 2009.The Vikings were the first settlers at Dublin and old reminants of their settlement have been found at Wood Quay in Dublin City Centre on the site of Dublin City Council’s civic offices.

Dublin City Council invites you to come down and explore our Viking Heritage from 12 noon – 6pm October 16th, 17th & 18th for a family fun packed weekend.

I’ve been there last year, and have to confess that it is a bit dull for a veteran roleplayer like me; plus the post-modern surroundings of the civic offices are not really helping in recreating the image of the Viking world. On the other hand it was great fun for the kids, and it seems the festival is generally more aiming at family entertainment than drinking mead from the skulls of slain enemies. And if there’s the same re-enactment group as last year, you’ll get at least an overview of how to form a propper Viking shield wall:

Our friends at The Dubliner magazine are at it again (you know, that sassy, satirical, ‘progressive’ publication that occasionally gets into some controversy with golfers’ wives) with Old City, New Dreams. This year finds an expanded list of events and venues to play host to the lively debates involving various Dublin luminaries.

Only problem is, if you haven’t ordered your free tickets by now, you’ve only got a few choices left. Most of the events next week are all booked, leaving only two left, as of this afternoon. I’m hoping to get to the ‘Fluffy Capitalism’ event myself. But only after I convince a friend who works in finance to come with me so he can feed me questions to throw out that make me sound like I know what I’m talking about.

And while you’re looking through The Dubliner blog, be sure to check out the ‘Dublin’s 10 New Commandments’ posts. After walking through the city centre in the rain today, I can really appreciate this one: Thou shalt not carry a golf umbrella through the city.