The Dublin Community Blog

Or: Cold feet on the red carpet.

Here’s a fact: Chuck Taylors with leaky soles are not the right footwear for the red carpet. Especially when it’s around 2 degrees Celsius and icy rain is lashing down. And even more so when you are supposed to stay on the carpet, armed with an umbrella to escort all stars and VIPs into the cinema. And some will come late. Very late.

But I will not complain too much, because it was the official Jameson Gala Night at Lighthouse Cinema, and we were welcoming actors Patricia Clarkson and Doctor Bashir from Deep Space Nine errr Alexander Siddig. Fittingly the featured movie in which both are starring was Cairo Time, a drama set in sunny, hot Cairo. The best contrast possible to miserable Dublin on a February evening.

Volunteering on the red carpet wasn’t that bad as I said, most people really liked the fact that two handsome boys (me and fellow volunteer @paddy2K ) were doing their best to protect them from the rain. At least for the 4 meters from the beginning of the red carpet to the entrance of the cinema. What it looked like after people entered the cinema can be seen on JDIFF TV. And hell, there were even some (2, actually) autograph hunters lining the red carpet. Ah, the glamour of a film festival. Did I mention the fact that I did not feel my feet for the rest of the evening?

Here are some impressions, courtesy of entertainment.ie. You can actually make out two green Jameson-umbrellas in the back.

Or: hard times bring out the best in people. And volunteers.

Volunteers are at their best when they become real grunts. Imagine: a cinema full of people who are enthusiastic about the movie they’ve just watched and don’t want to leave, a Q&A-session with the same people and the director from Spain, the need to get all these people (plus the director) out in under 2 minutes, and the need to clean the whole cinema in under 1 minute. And then imagine 200 unhappy people (including a Latvian director and his whole family) queing outside said cinema because the movie they want to enjoy was supposed to start 10 minutes ago. But JDIFF-volunteers are tough cookies. We’ll get the people out, clean the cinema and shoo the people in, all while ripping of tickets, handing out audience award ballots, helping elderly ladies and babies and smiling and saying “enjoy the film!” – while we are thinking “GUNG-HO! GUNG-HO!”.

But after all the madness has ebbed away and the gun smoke is gone, I always appreciate the fact that our great venue captains (brilliant people all of them, whatever the venue) allow volunteers to sneak in and watch a movie in between shifts. Like this I was able to watch the surprisingly good German movie “Same Same but Different” – based on a real-life story of a German backpacker falling in love with a prostitute from Cambodia. Well worth a look, therefore I hope it will be shown in Irish cinemas after the initial festival run.

Here’s one of the songs from the Soundtrack, “Heaven can wait” by Charlotte Gainsbourge & Beck with scenes from the movie:

There are two great things about volunteering for the JDIFF. The first thing is that you are virtually in the middle of things. One the one hand you are not really “working” (as you are not paid) for the festival, and do not have the responsibilites of all the volunteer captains, box office people and production managers -so there’s plenty of things to see and do in between your shifts. For example to see how tiny Colin Farrell is in real life (and I did not even had to wear a tie to be at the opening gala) And on the other hand you are not a visitor and member of the audience, so you do represent the festival and are involved in the realisation of the festival, which mosty takes place in dirty basemenst or boring break rooms without much glamour. Brilliant.

The second thing for me is the discovery of new films. I’m not that much of a film buff myself, but I’m always surprised of the quality of movies shown at the festival. And even though I have my main picks, I always discover new movies when on shift or through recommendations from other volunteers. My first discovery this year is the opening film of the festival, Neil Jordan’s Ondine.

Not that I expected the opening movie to be a total blackout, but the last Neil Jordan movie I watched must have been Michael Collins – so I was a bit unsure about the whole mermaid/fairy tale-story of the movie. But even as the unromatic naysayer that I am I have to confess I loved the movie. It thoughtfully plays with the whole idea of a real-life fairy tale, without ever becoming fantastic or supernatural – and the great cast, above all the brilliant Alison Barry makes the film really enjoyable. Plus, a movie that was scored by Kjartan Sveinsson of Sigur Ros and that features songs by Lisa Hannigan can’t be bad, can it?

Yes, it is that time of the year again. Like last year, I’m planning to entertain you with my adventures as a volunteer for the Jameson Dublin International Film Festival. The Festival officially opens on February 18th; so from then on you’ll get regular updates on what it’s like to rip of tickets, collect sticky rubbish from under cinema chairs and meeting the occasional celebrity, all while serving in one of the many venues of the festival. Plus also try to provide some insight on this rare occasion that World Cinema and Hollywood make a stopover in Dublin.

Whereas last year’s motto was “finding favourite films”, this year the festival seems even more diverse with spotlights on Korean, Russian and of course Irish cinema. And it is officially dedicated to one of it’s founders, Michael Dwyer, who passed away recently.

Among my personal picks this year are:

City of Live and Death - a Chinese movie about the so called “Rape of Nanking” in the Sino-Japanese war in 1937, directed by Lu Chuan. Warning: graphic images in the trailer!

Capitalism – a love story – Michael Moore’s inimitable look on capitalism and world economy.

Same Same but different – German director Detlev Buck tells the story of a German backpacker who falls in love with a Cambodian prostitute.

And last but by no means least: Valhalla Rising – Nicholas Winding Refn’s (Bronson) grimy Viking movie:

Please stay tuned for more movie madness on this channel errr blog.

Today marks the return of the annual German Film Festival, presented by the IFI in collaboration with the Goethe-Institut Irland and German Films Services + Marketing.

Continuing a trend that has been much commented on, modern German cinema seems fascinated with exploring the country’s troubled past. Kaspar Heidelbach’s Berlin ’36 tells the extraordinary true story of Gretel Bergmann, who was destined for an Olympic gold medal before she was forced out of the German team for being a Jew. Max Färberböck’s A Woman in Berlin is based on the diary of the only woman to write about the taboo topic of the rape of German women by Red Army soldiers at the end of World War II.

So, if you are up for better German cinema experience than…let’s say last year’s “Baader-Meinhof Komplex”, I strongly recommend to pay a visit to the IFI over the next 10 days. My personal pick is Oskar Roehler’s (Atomised) David Lynch/Baz Luhrmann-hommage “Lulu & Jimi”. Apologies for this German trailer, I could not find a sub-titled one – but I hope the images are sufficient .

As Roseanne stated in her comment last week, the weekend definitively has not enough days. And I would even go so far as to say that this year the October has not enough days. After last weeks HWCH-Festival, and the 10th Darklight-Festival before it, tomorrow marks the beginning of another staple of the Dublin event calendar: this years Dublin Electronic Arts Festival.

DEAF returns with our most extensive programme to date, including films, gallery installations, workshops, live gigs and club events. We ask you to glance through the programme at the more than 150 events on offer, confident that you’ll find something in there for you

Again I am astonished by the broad palette of events: not purely electronica-based standards such as DJ-Sets and club performances (though there are aplenty), but also exhibitions, installations and screenings.

Dublinblog was able to talk to Festival Director Eamonn Doyle about the highs and lows in running such a festival. Having started in 2002 as a spinoff of Eamonn’s D1-label and meant to be a platform for Irish electronic acts, the festival has developed into a showcase of Irish and international artists, and is most definitively going beyond the limits of the word “electronic” in its title. Though lacking a big commercial sponsor, the line-up this year is one of the biggest and most diverse ever; and handing over certain parts of the planning and booking to local promoters has helped to increase the choices of shows and events.

Some of Emaonn’s favourite picks this year include:

- The opening night of the festival featuring the young Austrian artist Soap & Skin.
- David Rodigan at the Sugar Club, described by Eamonn as the “elderly, school teacher-type godfather of (UK) Reggae and Dancehall”.
- The only D1-feature at the festival, the Naphta album launch.
- “New Spaces for Music” – a series of live performances staged in unusual spaces around Dublin, including shops, empty offices, a van, an apartment and a train station.

By all means go and you’ll be able to find something extraordinary for yourself to see, and please support the artists and the festival itself.

My personal picks this year include California’s finest Isis; Relay, a sound project initiated and curated by John Lambert (aka Chequerboard); Goldie’s History of Metalheadz set and last but not least the Egyptian/Middle Eastern documentary short films at the Odessa Club.

Isis – Not In Rivers But In Drops from Kostas Tsikrikes on Vimeo.

And if you are still looking for something to do at the weekend we recommend the 2009 edition of the Hard Working Class Heroes Festival. But to be honest, you must have been deaf & blind if you did not hear anything about it yet – mega mega mega.

(image via)

Hard Working Class Heroes is 7 years old this year. 7 years building what is now a staple in the Irish music calendar. A festival of newness, 100 bands, 6 venues, 3 nights.

In one weekend, in six venues you can see the 100 best new acts in Ireland. We know they’re the best because we have 35 experts from Ireland and around the globe helping us to pick them. Not only are they good but they are very different from each other and come from all over the country. Diamonds who have played previous HWCH include Heathers, The Lost Brothers, Jape, Adrian Crowley, Duke Special, Fight Like Apes, The Coronas and a lot lot more.

I am not even trying to give an overview of what’s happening where and when, please see for yourselves. The acts I am going to see however include Dublinblog darlings The Spook of the 13th Lock, C!ties – which have recently opened for the incredible And So I Watch You From Afar, Fionn Regan and of course the lovely Ham Sandwich . And there’s also a street performance initiative called “HWCH and the city”, featuring acts who are performing at the festival playing on the streets, record stores and bookshops all over Dublin city centre, so don’t forget to mark your calendars.

The gigs will all take place during the day, so if you’re lucky you’ll be able to see some of the bands playing plugged at night doing an accoustic-stunt in daylight hours. To know who’s playing where you’ll need to follow the festival on Twitter.

See you around.

The Norsemen are upon us again! As last year, the Dublin Viking Festival is taking place next weekend.

The Dublin Viking Festival takes place on Dublin’s Wood Quay and Temple Bar from Friday the 16th October until Sunday 18th October 2009.The Vikings were the first settlers at Dublin and old reminants of their settlement have been found at Wood Quay in Dublin City Centre on the site of Dublin City Council’s civic offices.

Dublin City Council invites you to come down and explore our Viking Heritage from 12 noon – 6pm October 16th, 17th & 18th for a family fun packed weekend.

I’ve been there last year, and have to confess that it is a bit dull for a veteran roleplayer like me; plus the post-modern surroundings of the civic offices are not really helping in recreating the image of the Viking world. On the other hand it was great fun for the kids, and it seems the festival is generally more aiming at family entertainment than drinking mead from the skulls of slain enemies. And if there’s the same re-enactment group as last year, you’ll get at least an overview of how to form a propper Viking shield wall:

The free Mind the Gap Operetta will be running again next Friday night, as will a few other public art exhibitions in conjunction with Fringe Fest. And yes, there will also be plenty of buskers and stag do/hen party folks around next weekend. Can’t guarantee that we’ll see another group of Austin Powers look-a-likes running around (anybody else see Elvis suddenly appear in that video?), but in Temple Bar, you just never know.

Early September marks the beginning of the Dublin Fringe Festival for fans of all things “artsy.” Fringe Fest tackles artistic expression in both traditional forms (theatre, comedy, music, painting, etc.) and non-traditional (give aforementioned categories a creative twist and then add some improvisation and/or quirkiness of one sort or another.) The festival returns this Saturday and runs through Sunday, 20 Sept.

This year, Absolute vodka are sponsoring the festival and tomorrow evening is the launch of Absolut Original, from 6-8pm in the Smock Alley Theatre, Temple Bar. Sixteen Irish artists have been given the same brief that the legendary Andy Warhol was given in 1985: “Be inspired by the Absolut bottle.” The Absolut Original exhibition will be curated by The Small Print for the duration of the festival. After the festival, each piece will be submitted for inclusion into the international Absolut Art collection in Stockholm.

Here’s a video of one artist’s preparations for the exhibition (Irish street artist, Asbestos):