The Dublin Community Blog

Or: Cold feet on the red carpet.

Here’s a fact: Chuck Taylors with leaky soles are not the right footwear for the red carpet. Especially when it’s around 2 degrees Celsius and icy rain is lashing down. And even more so when you are supposed to stay on the carpet, armed with an umbrella to escort all stars and VIPs into the cinema. And some will come late. Very late.

But I will not complain too much, because it was the official Jameson Gala Night at Lighthouse Cinema, and we were welcoming actors Patricia Clarkson and Doctor Bashir from Deep Space Nine errr Alexander Siddig. Fittingly the featured movie in which both are starring was Cairo Time, a drama set in sunny, hot Cairo. The best contrast possible to miserable Dublin on a February evening.

Volunteering on the red carpet wasn’t that bad as I said, most people really liked the fact that two handsome boys (me and fellow volunteer @paddy2K ) were doing their best to protect them from the rain. At least for the 4 meters from the beginning of the red carpet to the entrance of the cinema. What it looked like after people entered the cinema can be seen on JDIFF TV. And hell, there were even some (2, actually) autograph hunters lining the red carpet. Ah, the glamour of a film festival. Did I mention the fact that I did not feel my feet for the rest of the evening?

Here are some impressions, courtesy of entertainment.ie. You can actually make out two green Jameson-umbrellas in the back.

Or: hard times bring out the best in people. And volunteers.

Volunteers are at their best when they become real grunts. Imagine: a cinema full of people who are enthusiastic about the movie they’ve just watched and don’t want to leave, a Q&A-session with the same people and the director from Spain, the need to get all these people (plus the director) out in under 2 minutes, and the need to clean the whole cinema in under 1 minute. And then imagine 200 unhappy people (including a Latvian director and his whole family) queing outside said cinema because the movie they want to enjoy was supposed to start 10 minutes ago. But JDIFF-volunteers are tough cookies. We’ll get the people out, clean the cinema and shoo the people in, all while ripping of tickets, handing out audience award ballots, helping elderly ladies and babies and smiling and saying “enjoy the film!” – while we are thinking “GUNG-HO! GUNG-HO!”.

But after all the madness has ebbed away and the gun smoke is gone, I always appreciate the fact that our great venue captains (brilliant people all of them, whatever the venue) allow volunteers to sneak in and watch a movie in between shifts. Like this I was able to watch the surprisingly good German movie “Same Same but Different” – based on a real-life story of a German backpacker falling in love with a prostitute from Cambodia. Well worth a look, therefore I hope it will be shown in Irish cinemas after the initial festival run.

Here’s one of the songs from the Soundtrack, “Heaven can wait” by Charlotte Gainsbourge & Beck with scenes from the movie:

There are two great things about volunteering for the JDIFF. The first thing is that you are virtually in the middle of things. One the one hand you are not really “working” (as you are not paid) for the festival, and do not have the responsibilites of all the volunteer captains, box office people and production managers -so there’s plenty of things to see and do in between your shifts. For example to see how tiny Colin Farrell is in real life (and I did not even had to wear a tie to be at the opening gala) And on the other hand you are not a visitor and member of the audience, so you do represent the festival and are involved in the realisation of the festival, which mosty takes place in dirty basemenst or boring break rooms without much glamour. Brilliant.

The second thing for me is the discovery of new films. I’m not that much of a film buff myself, but I’m always surprised of the quality of movies shown at the festival. And even though I have my main picks, I always discover new movies when on shift or through recommendations from other volunteers. My first discovery this year is the opening film of the festival, Neil Jordan’s Ondine.

Not that I expected the opening movie to be a total blackout, but the last Neil Jordan movie I watched must have been Michael Collins – so I was a bit unsure about the whole mermaid/fairy tale-story of the movie. But even as the unromatic naysayer that I am I have to confess I loved the movie. It thoughtfully plays with the whole idea of a real-life fairy tale, without ever becoming fantastic or supernatural – and the great cast, above all the brilliant Alison Barry makes the film really enjoyable. Plus, a movie that was scored by Kjartan Sveinsson of Sigur Ros and that features songs by Lisa Hannigan can’t be bad, can it?

Yes, it is that time of the year again. Like last year, I’m planning to entertain you with my adventures as a volunteer for the Jameson Dublin International Film Festival. The Festival officially opens on February 18th; so from then on you’ll get regular updates on what it’s like to rip of tickets, collect sticky rubbish from under cinema chairs and meeting the occasional celebrity, all while serving in one of the many venues of the festival. Plus also try to provide some insight on this rare occasion that World Cinema and Hollywood make a stopover in Dublin.

Whereas last year’s motto was “finding favourite films”, this year the festival seems even more diverse with spotlights on Korean, Russian and of course Irish cinema. And it is officially dedicated to one of it’s founders, Michael Dwyer, who passed away recently.

Among my personal picks this year are:

City of Live and Death - a Chinese movie about the so called “Rape of Nanking” in the Sino-Japanese war in 1937, directed by Lu Chuan. Warning: graphic images in the trailer!

Capitalism – a love story – Michael Moore’s inimitable look on capitalism and world economy.

Same Same but different – German director Detlev Buck tells the story of a German backpacker who falls in love with a Cambodian prostitute.

And last but by no means least: Valhalla Rising – Nicholas Winding Refn’s (Bronson) grimy Viking movie:

Please stay tuned for more movie madness on this channel errr blog.

Last week, Universal Pictures Ireland invited some of your favourite bloggers to attend a screening of the 1941-movie-classic The Wolfman at the private Denzille cinema ; a promotion event for their upcoming remake of the same movie featuring Benicio Del Toro.

Even though I’m not a big film buff, I did enjoy watching such an “old” movie on the big screen. Especially when comparing the cinematic techniques then and now: where most movies today are not so much about camera angles and facial expressions but more about blowing things up and animate blue-skinned aliens with computers, the classic movies of the 30ies and 40ies had to transport their story with much more detail. No wonder people like Lon Chaney became big stars wearing outfits that by today’s standards can only be called ridiculous – their audience had nothing to compare it with except their imagination.

So I’m really looking forward to see the remake, officially released to Dublin cinemas on February 12th. But as Benicio Del Toro is not only starring but also acting as producer, and the film also stars Sir Anthony Hopkins I have high hopes that it will do justice to the original. Here’s a glimpse:

A big thank you to the folks at Universal Pictures and Simply Zesty for a great evening.

Today marks the return of the annual German Film Festival, presented by the IFI in collaboration with the Goethe-Institut Irland and German Films Services + Marketing.

Continuing a trend that has been much commented on, modern German cinema seems fascinated with exploring the country’s troubled past. Kaspar Heidelbach’s Berlin ’36 tells the extraordinary true story of Gretel Bergmann, who was destined for an Olympic gold medal before she was forced out of the German team for being a Jew. Max Färberböck’s A Woman in Berlin is based on the diary of the only woman to write about the taboo topic of the rape of German women by Red Army soldiers at the end of World War II.

So, if you are up for better German cinema experience than…let’s say last year’s “Baader-Meinhof Komplex”, I strongly recommend to pay a visit to the IFI over the next 10 days. My personal pick is Oskar Roehler’s (Atomised) David Lynch/Baz Luhrmann-hommage “Lulu & Jimi”. Apologies for this German trailer, I could not find a sub-titled one – but I hope the images are sufficient .

Some days, you just need to unwind in a place where all the stress and hectic of this oh-so-modern life does not really matter. And what better place to do that then in the cinema. And I’m not talking 20-screen-multiplex here. More the old, dusty ones, where the smell of 30 years selling popcorn will never be completely gone. And this is why I’m singing the praise of the Screen. After its latest refurbishment and re-installment of the famous neon-lights the Screen cinema has now initiated a new season of classical movies, “Ministry of Musicals”. These films will be screened weekly on Tuesday evenings from 17th November starting with Singing in the Rain.

Programme Manager, Anna Taylor commented, “We are delighted with the changeover to digital, it has given us the chance  to be even more creative with our film programming. We are embracing the future, honoring the past and we hope to keep our audiences happy for years to come”. While talking about  the Screen’s future intentions, Anna revealed that they intend to show classic films regularly in the cinema. She went on to say that the entire basis of film appreciation is looking back at the roots of modern cinema and that she hopes that showing classic movies will complement the Screen’s repertoire of new films.

My personal favourite of the classics is the -ahem- classic Wizard of Oz from 1939:

So, if you are looking for some escapism in these dire times, and especially as the weather will probably not improve for the next 5 months, why not pay a visit to a time-honoured Dublin cinema institution.

And to keep updated on future plans and more classic screenings, you can follow the Screen on Twitter or become a fan on their Facebook-profile. Hell, they even have their won Wikipedia-entry.

The end of the world is coming in 10 years time and it appears to have started in Dublin. That is according to the new movie The Road starring Charlize Theron and Viggo Mortensen. The movie is described as “A post-apocalyptic tale of a man and his son trying to survive by any means possible”.

In typical disaster movie style the trailer starts with news footage of the start apocalypse. In prominent position is footage that looks to be from the 2006 Dublin riots. That means we have 7 years until most of us are dead and the survivors are pursued by gangs of lawless killers. So really if things keep going the way they have with mass protests, taxi drivers blocking the city center driving commuters crazy and herds of llamas running rampage around the suburbs 7 years might be an optimistic estimate to the apocalypse.

Next weekend, the Irish Film Institute in Temple Bar will be screening four state-of-the-art Anime/Manga movies in the course of the Japanese Anime Weekend, amongst others the brilliant “Ghost in the Shell 2″.

This event offers Irish audiences a rare chance to see four 21st-century anime movies on the big screen, where their artistry can be fully appreciated. The films are different in style, approach and content, but they represent a snapshot of the current state of this art form.

There will also be 2 supporting lectures to provide background to this cultural phenomenon, “A brief history of post-war Japanese animation” and “Japanese animation for adults” on Saturday and Sunday between screenings.

As an unexpected event prevented me from attending my last shift as a volunteer and delayed my posting here, I’ll just give you a short impression of what happened last week. A bigger and better researched post will follow once all has settled – and of course after today’s closing of the festival.

My personal highlight of the festival is definitively the screening of Sacha Gervasi’s incredible incredible documentary “Anvil! The story of Anvil!” and the incredible incredible live performance of the band directly after the show in front of the screen. An extraordinary event for everyone who attended the show. Some impression are here.

Thanks to entertainment.ie for the pic.

As everyone is watching tonight’s closing movie, “The Secret of Kells” at the Savoy while I am writing this post, I’ll now prepare to head off for the closing party of the festival. And with us having won the Irish blog awards there’s more than one reason to celebrate.