The Dublin Community Blog

Avatar Days is a pretty neat short movie about online gamers living in Dublin – only that they swapped places with their online-avatars here.

Originally created for the Darklight Festival’s ’4 Day Movie’ project, Avatar Days is a portrait of four online gamers in Dublin whose daily lives contrast with their virtual identities. Advanced 3D technologies and Motion Capture animation were used to insert the players’ in-game characters in place of their real selves against the backdrop of the banal urban landscape which they inhabit.

Avatar Days from Piranha Bar on Vimeo.

Even though the weather is not really made for any indoor activity these days, we know that it can start to rain any day in Dublin. And so it is good to have some kind of indoor alternative in case the current sunny spell ends. Therefore, as the pirate fan that I’ve been since I was 5, I’m happily announcing: The Goonies Pirate Party.

Goonies never say die! On Thursday 1st of July the Screen Cinema will host a special screening of the classic adventure movie The Goonies. This is an unmissable screening for anyone with an inner Goonie that needs to be embraced. To make it extra special we’re making it socially acceptable to dress up as pirates in the cinema. In fact, we’re actively encouraging it! And hoping that you’ll join us for some ale and swashbuckling afterwards in Doyle’s pub.

June 7th marked the 25th anniversary of the film’s release, and The Screen wants to give Irish fans the chance to celebrate the much-loved film’s anniversary with a celebration as boisterous as the movie.

This marks the second film in the wildly popular ‘Screen Hearts 80’s’ season of 80’s blockbusters which commenced with ‘Ghost Busters’ on Monday the 21st of June to a packed house.

Screen Hearts 80′s’ will run throughout the summer including gems such as Gremlins and Top Gun and will also feature an Arnie action season and a John Hughes tribute in August that will open with the teen classic The Breakfast Club on August 6th.

The Goonies is a thrill-a-minute adventure film. When brothers Mikey (Sean Astin) and Brand (Josh Brolin) learn that greedy developers are forcing their family to move, they and their friends decide to have one last adventure together. With the help of a treasure map they’ve found in the attic, the group, known as the Goonies, go in search of buried gold hoping against hope that if they find it, Mikey and Brand will succeed in keeping their home.

So get your cutlasses and eyepatches, and board the Screen cinema on Thursday. Tickets for the event are available on www.screencinema.ie, in the Screen’s box office or by calling 1520 927005.

Even when they’re only on the big screen. So here’s a new, extended trailer for Kick-Ass, which opens at the cinema of your choice this Wednesday:

Plus, as I’m also a big fan of film adaptions of comic books, here’s the trailer for Scott Pilgrim vs. the World, due here in the Republic in August:

Or: Cold feet on the red carpet.

Here’s a fact: Chuck Taylors with leaky soles are not the right footwear for the red carpet. Especially when it’s around 2 degrees Celsius and icy rain is lashing down. And even more so when you are supposed to stay on the carpet, armed with an umbrella to escort all stars and VIPs into the cinema. And some will come late. Very late.

But I will not complain too much, because it was the official Jameson Gala Night at Lighthouse Cinema, and we were welcoming actors Patricia Clarkson and Doctor Bashir from Deep Space Nine errr Alexander Siddig. Fittingly the featured movie in which both are starring was Cairo Time, a drama set in sunny, hot Cairo. The best contrast possible to miserable Dublin on a February evening.

Volunteering on the red carpet wasn’t that bad as I said, most people really liked the fact that two handsome boys (me and fellow volunteer @paddy2K ) were doing their best to protect them from the rain. At least for the 4 meters from the beginning of the red carpet to the entrance of the cinema. What it looked like after people entered the cinema can be seen on JDIFF TV. And hell, there were even some (2, actually) autograph hunters lining the red carpet. Ah, the glamour of a film festival. Did I mention the fact that I did not feel my feet for the rest of the evening?

Here are some impressions, courtesy of entertainment.ie. You can actually make out two green Jameson-umbrellas in the back.

Or: hard times bring out the best in people. And volunteers.

Volunteers are at their best when they become real grunts. Imagine: a cinema full of people who are enthusiastic about the movie they’ve just watched and don’t want to leave, a Q&A-session with the same people and the director from Spain, the need to get all these people (plus the director) out in under 2 minutes, and the need to clean the whole cinema in under 1 minute. And then imagine 200 unhappy people (including a Latvian director and his whole family) queing outside said cinema because the movie they want to enjoy was supposed to start 10 minutes ago. But JDIFF-volunteers are tough cookies. We’ll get the people out, clean the cinema and shoo the people in, all while ripping of tickets, handing out audience award ballots, helping elderly ladies and babies and smiling and saying “enjoy the film!” – while we are thinking “GUNG-HO! GUNG-HO!”.

But after all the madness has ebbed away and the gun smoke is gone, I always appreciate the fact that our great venue captains (brilliant people all of them, whatever the venue) allow volunteers to sneak in and watch a movie in between shifts. Like this I was able to watch the surprisingly good German movie “Same Same but Different” – based on a real-life story of a German backpacker falling in love with a prostitute from Cambodia. Well worth a look, therefore I hope it will be shown in Irish cinemas after the initial festival run.

Here’s one of the songs from the Soundtrack, “Heaven can wait” by Charlotte Gainsbourge & Beck with scenes from the movie:

There are two great things about volunteering for the JDIFF. The first thing is that you are virtually in the middle of things. One the one hand you are not really “working” (as you are not paid) for the festival, and do not have the responsibilites of all the volunteer captains, box office people and production managers -so there’s plenty of things to see and do in between your shifts. For example to see how tiny Colin Farrell is in real life (and I did not even had to wear a tie to be at the opening gala) And on the other hand you are not a visitor and member of the audience, so you do represent the festival and are involved in the realisation of the festival, which mosty takes place in dirty basemenst or boring break rooms without much glamour. Brilliant.

The second thing for me is the discovery of new films. I’m not that much of a film buff myself, but I’m always surprised of the quality of movies shown at the festival. And even though I have my main picks, I always discover new movies when on shift or through recommendations from other volunteers. My first discovery this year is the opening film of the festival, Neil Jordan’s Ondine.

Not that I expected the opening movie to be a total blackout, but the last Neil Jordan movie I watched must have been Michael Collins – so I was a bit unsure about the whole mermaid/fairy tale-story of the movie. But even as the unromatic naysayer that I am I have to confess I loved the movie. It thoughtfully plays with the whole idea of a real-life fairy tale, without ever becoming fantastic or supernatural – and the great cast, above all the brilliant Alison Barry makes the film really enjoyable. Plus, a movie that was scored by Kjartan Sveinsson of Sigur Ros and that features songs by Lisa Hannigan can’t be bad, can it?

Yes, it is that time of the year again. Like last year, I’m planning to entertain you with my adventures as a volunteer for the Jameson Dublin International Film Festival. The Festival officially opens on February 18th; so from then on you’ll get regular updates on what it’s like to rip of tickets, collect sticky rubbish from under cinema chairs and meeting the occasional celebrity, all while serving in one of the many venues of the festival. Plus also try to provide some insight on this rare occasion that World Cinema and Hollywood make a stopover in Dublin.

Whereas last year’s motto was “finding favourite films”, this year the festival seems even more diverse with spotlights on Korean, Russian and of course Irish cinema. And it is officially dedicated to one of it’s founders, Michael Dwyer, who passed away recently.

Among my personal picks this year are:

City of Live and Death - a Chinese movie about the so called “Rape of Nanking” in the Sino-Japanese war in 1937, directed by Lu Chuan. Warning: graphic images in the trailer!

Capitalism – a love story – Michael Moore’s inimitable look on capitalism and world economy.

Same Same but different – German director Detlev Buck tells the story of a German backpacker who falls in love with a Cambodian prostitute.

And last but by no means least: Valhalla Rising – Nicholas Winding Refn’s (Bronson) grimy Viking movie:

Please stay tuned for more movie madness on this channel errr blog.

Last week, Universal Pictures Ireland invited some of your favourite bloggers to attend a screening of the 1941-movie-classic The Wolfman at the private Denzille cinema ; a promotion event for their upcoming remake of the same movie featuring Benicio Del Toro.

Even though I’m not a big film buff, I did enjoy watching such an “old” movie on the big screen. Especially when comparing the cinematic techniques then and now: where most movies today are not so much about camera angles and facial expressions but more about blowing things up and animate blue-skinned aliens with computers, the classic movies of the 30ies and 40ies had to transport their story with much more detail. No wonder people like Lon Chaney became big stars wearing outfits that by today’s standards can only be called ridiculous – their audience had nothing to compare it with except their imagination.

So I’m really looking forward to see the remake, officially released to Dublin cinemas on February 12th. But as Benicio Del Toro is not only starring but also acting as producer, and the film also stars Sir Anthony Hopkins I have high hopes that it will do justice to the original. Here’s a glimpse:

A big thank you to the folks at Universal Pictures and Simply Zesty for a great evening.

Today marks the return of the annual German Film Festival, presented by the IFI in collaboration with the Goethe-Institut Irland and German Films Services + Marketing.

Continuing a trend that has been much commented on, modern German cinema seems fascinated with exploring the country’s troubled past. Kaspar Heidelbach’s Berlin ’36 tells the extraordinary true story of Gretel Bergmann, who was destined for an Olympic gold medal before she was forced out of the German team for being a Jew. Max Färberböck’s A Woman in Berlin is based on the diary of the only woman to write about the taboo topic of the rape of German women by Red Army soldiers at the end of World War II.

So, if you are up for better German cinema experience than…let’s say last year’s “Baader-Meinhof Komplex”, I strongly recommend to pay a visit to the IFI over the next 10 days. My personal pick is Oskar Roehler’s (Atomised) David Lynch/Baz Luhrmann-hommage “Lulu & Jimi”. Apologies for this German trailer, I could not find a sub-titled one – but I hope the images are sufficient .

Some days, you just need to unwind in a place where all the stress and hectic of this oh-so-modern life does not really matter. And what better place to do that then in the cinema. And I’m not talking 20-screen-multiplex here. More the old, dusty ones, where the smell of 30 years selling popcorn will never be completely gone. And this is why I’m singing the praise of the Screen. After its latest refurbishment and re-installment of the famous neon-lights the Screen cinema has now initiated a new season of classical movies, “Ministry of Musicals”. These films will be screened weekly on Tuesday evenings from 17th November starting with Singing in the Rain.

Programme Manager, Anna Taylor commented, “We are delighted with the changeover to digital, it has given us the chance  to be even more creative with our film programming. We are embracing the future, honoring the past and we hope to keep our audiences happy for years to come”. While talking about  the Screen’s future intentions, Anna revealed that they intend to show classic films regularly in the cinema. She went on to say that the entire basis of film appreciation is looking back at the roots of modern cinema and that she hopes that showing classic movies will complement the Screen’s repertoire of new films.

My personal favourite of the classics is the -ahem- classic Wizard of Oz from 1939:

So, if you are looking for some escapism in these dire times, and especially as the weather will probably not improve for the next 5 months, why not pay a visit to a time-honoured Dublin cinema institution.

And to keep updated on future plans and more classic screenings, you can follow the Screen on Twitter or become a fan on their Facebook-profile. Hell, they even have their won Wikipedia-entry.